CLAES, COOSJE & ME a travelogue, a rendezvous, and a critique A journey to the highbrow play land of Claes Oldenburg & Coosje van Bruggen Sculpture: La Bicyclette Enselvie Sculpture Where: Parc de la Villette, Paris Installed: 1990 Visited: June 19, 2019 Met: Marine Freychet Blog Entry: 1st, July 24, 2019 We met Marine at Park Villette on June 19, 11:41…
Chronology of Large-Scale Projects by Claes Oldenburg and Coosje van Bruggen Unless otherwise stated, dimensions are given as height x width x depth. Oldenburg and van Bruggen envisaged horizontal elements including the fountain, a constellation which was to not overshadow other sculptures in the garden. Claes Oldenburg (born January 28, 1929) is an American sculptor, best known for his public art installations typically featuring large replicas of everyday objects. Claes Oldenburg is known for his birthday ingenious, and oversized renditions of ordinary objects. This whimsical, oversize gardener’s trowel titled “Plantoir” created by artists Claes Oldenburg and Coosje van Bruggen, was designed specifically for outdoor viewing in a garden setting. What if, as Coosje suggested, feathers were combined with the ball form to become a shuttlecock, a lyrical object, with the ability to float, spin, fly, and land in many different ways? All works by both artists except in two cases, where indicated with * *Lipstick (Ascending) on Caterpillar Tracks, 1969-74 Cor-Ten steel, steel, aluminum, cast resin; painted with polyurethane enamel
All the more disappointing, then, that this retrospective work with his wife and collaborator, Coosje van Bruggen, has so little hint of the giddy fun that lights up their art. Namely, since the early 1980s, van Bruggen was active as an independent critic and curator; her texts were published in Artforum magazine from 1983 to 1988, and in between 1996 and 1997 she worked as a senior critic in the sculpture department at Yale University School of Art. View Claes Oldenburg’s 3,484 artworks on artnet. Claes Oldenburg/Coosje van Bruggen: Recent Work, PaceWildenstein, 534 West 25th Street, New York, May 3–June 28, 2002. In Lo… The towering public sculptures of husband-and-wife collaborators Claes Oldenburg and Coosje van Bruggen are instantly recognizable for their whimsical Pop Art quality.
This tool often called a dibble and sometimes a trowel.
During a visit to Chinati in 1987, Judd pointed out a crumbling concrete marker on the grounds of the former fort that indicated the grave of Louie, the last cavalry horse who was laid to rest in 1932. Claes Oldenburg and Coosje van Bruggen: Typewriter Eraser, Scale X, The Center for Public Sculpture, 590 Madison Avenue, New York, June 4, 2001–December 12, 2002. To request permission, send a fax to (212) 656 1720, and include an email address for reply. The exhibition spans the artists’ careers, from 1961 through 2001, including 39 drawings and one sculpture. In other words he takes ordinary things, like a stamp, and alters it into a colossal sculpture. Her first work with Oldenburg came when she helped him install his 41-foot Trowel I on the grounds of the Kröller-Müller Museum in Otterlo.
The drawings represent the conception of an artistic idea, striking visual
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