no wonder he is recognized as a master of haiku. IOt takes him only nine words and three lines of simple words to recreate a scene in nature Reply Under his expertise, the haiku began to flourish and to develop. The following poets, as well as many others, are known for their work in the haiku form. Many more versions can be found in Hiroaki Sato’s One Hundred Frogs (Weatherhill, 1995), which includes over 100 translations plus a number of adaptations and parodies.. Define basho.

Bashō was born Matsuo Kinsaku around 1644, somewhere near Ueno in Iga Province. To the right a Scandinavian proverb is broken up and shortened to fill three lines, to compare with. Haiku came to mean standalone poems. Haikai meaning the linked verse, commentary, and poetry that Basho popularized. Hattori Dohō (服部土芳) was younger than Basho by a dozen years.

The shorthand-looking poem to the left is by the Japanese Zen poet Matsuo Basho (Matsuo Munefusa) (1644-94). His father may have been a low-ranking samurai, which would have promised Bashō a career in the military but not much chance of a notable life. Haibun came to mean multiple verses. Many of Basho's haiku poems were actually the hokku (initial verse) of a renga (linked verse). Matsuo Munefusa, known as Matsuo Bashō (Japanese: 松尾芭蕉, 1644 - November 28, 1694) was a Japanese poet.He is known as the greatest maker of haiku, a kind of poetry with 17 syllables.The Japanese written language was difficult to master, but haiku was easy for him to write. 1702, a poetic treatise on Bashō’s haikai. After Basho’s death, Dohō composed Sanzōshi, Three Books, ca. Featured Poets.

Thirty-two translations of a haiku by Matsuo Bashô (1686). Susan Williams (10/2/2015 3:22:00 PM). Japanese poet known for his composition of haiku infused with the spirit of Zen Buddhism. basho synonyms, basho pronunciation, basho translation, English dictionary definition of basho. Read all poems of Matsuo Basho and infos about Matsuo Basho. Matsuo 1644-1694. The Japanese poet Matsuo Basho, born in the 17th century, is perhaps the most well-known traditional haiku poet and brought the form to prominence with his focus on simple, but powerful images of the natural world. The commentary is from Robert Aitken’s A Zen Wave: Bashô’s Haiku and Zen (revised ed., Shoemaker & Hoard, 2003).


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