In addition to being a writer, Wojnarowicz was a visual artist, filmmaker, and musician who was active in New York City’s Lower East Side during the 1980s (McCormick 1984, 18–19). He was born in Red Bank, New Jersey, and later lived with his mother in New York City, where he attended the High School of Performing Arts for a …
Taken at with J Katz , Radar, and QCC ~ San Francisco. — David Wojnarowicz, Between Bridges, London, England. David Michael Wojnarowicz (/ ˌ v ɔɪ n ə ˈ r oʊ v ɪ tʃ / VOY-nə-ROH-vitch; (September 14, 1954 – July 22, 1992) was a Polish-American painter, photographer, writer, filmmaker, performance artist, songwriter/recording artist and AIDS activist prominent in the East Village art scene. Untitled (Spirituality) from the Ant Series (1988-1989), by David Wojnarowicz, via PPOW Gallery .

Those refugees’ mouths, for example, call to mind the stitched lips of AIDS protesters in Rosa von Praunheim’s 1990 documentary Silence = Death.

Public. David Wojnarowicz (1954-1992) Born in New Jersey, USA SOLO EXHIBITIONS 2011 —Spirituality, An Exhibition of Selected Work by David Wojnarowicz, P•P•O•W Gallery, New York, NY.

/ PNG David Wojnarowicz, image from A Fire in My Belly, 1989. Peter Hujar had been chronicling New York’s downtown subculture—often in intimate black-and-white photographic portraits—for almost a decade when he met artist David Wojnarowicz, twenty years his junior and at the beginning of his own career. This time, the stitched mouth became a symbol of censorship. Queer Food For Love pays tribute to the spirit of resistance to censorship in the queer arts. David Wojnarowicz (1954–1992) was a man of many talents. 2009 — David Wojnarowicz Works, Supportico Lopez, Berlin, Germany. At protests, people held up posters of Wojnarowicz’s face, lantern-jawed, implacable, five stitches locking shut his lips. One day I hope to get the chance to rectify that but in the meanwhile I’ll carry on looking at his work in reproduction. David Wojnarowicz had beautiful lips. Wojnarowicz is dead; God knows where the man on the Greek border is. Untitled (Spirituality), gelatin silver print, by David Wojnarowicz, in David Wojnarowicz: Photography & Film 1978-1992, to April 5 at the Belkin Art Gallery, University of B.C. On a trip to Mexico City with Tommy Turner to scout Day of the Dead imagery, Wojnarowicz shot 25 rolls of super-8 film, documenting scenes that embodied the violence of city life. Wojnarowicz himself also appears, sewing his lips together with red thread. Rachel Pafe. David Wojnarowicz: Dung Beetles II: Camouflage Leads Us Into Destruction, 1986, acrylic, spray paint, and collaged paper on composition board, 67 … This frightening footage, as does the whole film, seems to be spiritual, mournful and a painful cry to draw attention to the AIDS crisis. A Fire also features two loaves of bread stitched together, as shown in Untitled (Bread Sculpture) (1988–89), as well as his own lips sewn shut in his iconic self-portrait Silence = Death (1989).

Together the images express Wojnarowicz’s anger and complex feelings toward the Catholic Church and other structures of power and control. David Wojnarowicz was a gay painter, photographer, writer, filmmaker, performance artist, and activist who was prominent in the New York City art world of the 1980s. The film is often regarded as one of Wojnarowicz’s most powerful and infamous.

2006 — Rimbaud in New York, CABINET, London, England.
Both images are in front of me now: stitches in time, reporting from the past. FROM MARCH 1981 THROUGH JUNE 1989, David Wojnarowicz kept an intermittent audio journal, speaking directly into a tape recorder about his days and dreams.

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