It talks about going out at night/evening and going to a cheap hotel and a bar-like restaurant. Lines 111-119: In this important metaphor, Prufrock likens himself to Prince Hamlet, the title character from Shakespeare’s most famous play. The date goers discuss Michelangelo. The Love Song of J. Alfred Prufrock - Let us go then, you and I Let us go then, you and I - The Academy of American Poets is the largest membership-based nonprofit organization fostering an appreciation for contemporary poetry and supporting American poets. Eliot began writing "Prufrock" in February 1910, and it was first published in the June 1915 issue of Poetry: A Magazine of Verse [2] at the instigation of Ezra Pound (1885–1972). Digress Obtuse. Eliot uses an extended metaphor that compares the fog to an alley cat throughout the poem "The Love Song of J. Alfred Prufrock. Eliot began writing "Prufrock" in February 1910, and it was first published in the June 1915 issue of Poetry: A Magazine of Verse at the instigation of Ezra Pound (1885–1972). These papers were written primarily by students and provide critical analysis of The Love Song of J. Alfred Prufrock”, Eliot diction expresses contrasting language, a component of modernist language, in the form of Prufrock’s thoughts. About the Author p. 707. Elliot The Love Song of J. Alfred Prufrock. In the third stanza of the poem, Eliot’s use of an extended metaphor, coupled with some other literary techniques, paints Prufrock as a socially isolated character. In the Inferno, the flame of Guido is asked to identify himself and he replies, “…none ever did return alive from this depth…..” Obviously, this relates to Prufrock and it must be an extended metaphor. Analyzing Metaphor in “The Love Song of J. Alfred Prufrock” ... By the time I am reading “The Love Song of J. Alfred Prufrock” in my class, we have typically already discussed the historical context of the early 1900s and introduced Modernism’s focus on experimentation.

Vocabulary p. 706. The poem is a dramatic monologue. A summary of a classic modernist poem by Dr Oliver Tearle ‘The Love Song of J. Alfred Prufrock’ has been called, by the academic literary critic Christopher Ricks (one of the finest living critics and the co-editor of Eliot’s poetry), the best first poem in a first volume of poems: it opened Eliot’s debut collection, Prufrock and Other Observations, in 1917. "The Love Song of J. Alfred Prufrock", commonly known as "Prufrock", is the first professionally published poem by American-born British poet T. S. Eliot (1888–1965). An extended metaphor comparing the streets to a cat runs through this entire stanza. In the following passage from The Love Song of J. Alfred Prufrock, T.S. But then he decides he’s actually more of an "attendant lord" who could be confused for a fool, which we think is an allusion to Polonius, the father of the character Ophelia in the same play.